
Pinchas Cohen Gan
In Israel Museum collectionsBack
Israel 1973 (Yom Kippur War, October 1973) 1973 |
Action Drawing No. 1 1973 |
First Aid Kit (of the Primary Colours) 1974 |
Journey to Alaska (Documentation of the Alaska Action) 1974 |
Shelf 1976 |
Figure, Form, Formula (F.F.F.) 1976 |
Figure and Correspondent Form with Red Shelf 1978 |
Nulla Dies Sine Pictura 1982 |
Between Eilon and Yehiam 1983 |
Memories A (with the Hungarian Dice), Memories B 1994 |
Pinchas Cohen Gan
In worldwide collectionsBack
Untitled 1980s |
Untitled 1985-90 |
Wind Directions in the Dead Sea Area 1972-73 |
Painting No. 142 1980s |
Painting No. 144 1980s |
Painting No. 174 Undated |
Painting No. 175 1980s |
Mathematical Equation |
Shofar & Jewish Attributes |
From The Mathematical-Nature Project 1975–76 |
Alaska Project II 1973-74 |
From "Drawings for Ecclesiastes" 1969-70 |
Untitled 1970 |
Schema of Dead Sea Rift (from the 'Dead Sea Project' Sketch Book) 1971 |
Figure and Order 1971 |
Place 1973 |
From series "Alaska Project" 1973 |
Adaptation (from "The Alaska Project") 1973 |
Cut-Out Map of Africa (from "The Cape of Good Hope Project") 1974 |
Cut-Out Map of Africa (from The Cape of Good Hope Project) 1974 |
Flying System 1974 |
An Autobiographical-Geographical Line: Figure, Form (in the Judean Desert) 1974 |
Touching the Border 1974 |
from an activity in a Refugee Camp in Jericho 1974 |
Erection of a Tent at a Prison Camp (from an activity in a refugee camp in Jericho) 1974 |
Reconciliation with Asia 1975 |
American Flag 1975 |
Art and Politics 1975 |
A History of Art on Paper 1976 |
Formula 1976 |
Man Formula, Regardless of the Law of Gravity 1977 |
Painted Proposition - Limited Certainty 1977 |
East–West (From Isomorphism) 1977 |
Deductive Figure, Formula 1978 |
Cypress-Figure(from the series "Figure, Space, and Formula") 1978 |
Relational Art & Absolute Art, Procedure from speech towards vision and from vision to theory of form 1980 |
Farewell to Euclid: Warped Spacetime (From "Programmed Figure in Curved Space or Painted Solution to Problem no. 457617") 1981 |
From "Programmed Figure in Curved Space or Painted Solution to Problem no. 457617" 1981 |
Unerwünscht 1982 |
Man-Woman 1982 |
Moral Code in Black 1982 |
Introduction to the Theory of Humiliation 1982 |
Dual-Figure 1982 |
Confrontations of Formula and Painting 1982 |
Confrontations of Formula and Painting 1982 |
The Lebanon War 1982 |
Thou Shalt Not Kill, In Memory of Emil Grünzweig 1983 |
Classical Computer Man 1983 |
Chimera 1983 |
Jerusalem D.C. 1985 |
A Jewish Refugee 1985 |
Combined Painting No. 114 (Atomic Art Plus Sign-Code) 1985 |
Combined Painting No. 119 1985 |
Moshe, Israeli Sculpture, Israeli Condition 1985 |
A Religious Painting with References from the History of Art 1986 |
Works of art, which seem unthinkable, when a certain branch of art history is formulated correctly, begin to look interesting when new ideological spaces are discovered (from "Atomic Art", Bezalel Academy of Art and Design, Jerusalem) 1986 |
Cosmos Phatos Chaos: Gray 1988 |
Cosmos Phatos Chaos: Ochre 1988 |
Combined Painting No. 129 1988 |
Combined Painting No. 133 1988 |
Jewish Art in Jerusalem in the Eyes of Heroes and Villains 1988 |
From 'Biblia Principia Descriptiva' 1988 |
Painting No. 148 1989 |
Painting No. 150 1989 |
Painting No. 152 1989 |
Painting No. 161 1989 |
Painting No. 162 1989 |
Painting No. 173 1989 |
Painting No. 174 1989 |
Painting No. 186 1989 |
Painting No. 188 1989 |
Painting No. 189 1989 |
Painting No. 197 1989 |
Painting No. 199 1989 |
Painting No. 200 1989 |
Figure-Form-Formula 1990 |
Untitled 1990 |
The Dialectic of the Flat Characters and the Round Characters, Double-page layout from the book "Dictionary of Semantic Painting and Sculpture", Bezalel Academy of Arts and Design, Jerusalem, 1991 1991 |
Module Superstructure, Double-page layout from the book "Dictionary of Semantic Painting and Sculpture", Bezalel Academy of Arts and Design, Jerusalem, 1991 1991 |
Fruits of War 1991 |
Adaptation (Art in the Service of the Depressed Nature and Man) 1994 |
Figure, Form, Formula 1994 |
The Attack of the Cybertech (from 'Remarking History, 1994') 1994 |
Non Euclidean Forms (1980) and a Plastic Figure (from 'Remarking History, 1994') 1994 |
Comparative Difficulties with a Figure 1982; and a Plastic Figure and Formula (from 'Remarking History, 1994') 1994 |
There Are No Abstract Truths 1996 |
Art and Language 1997 |
Art and Language 1997 |
Utopian Architecture 2002 |
Archival Material
Back
View of "Activities 1972-1974", at the Israel Museum, Jerusalem 1974 |
Self-Portrait: History of Art (1987) by Pinchas Cohen Gan Undated |
Figure-Architecture (1980) by Pinchas Cohen Gan 1980 |
Preparation for an Exhibition by Pinchas Cohen Gan at Max Protetch, Nyc, USA 1980 |
Pinchas Cohen Gan at The Artists' Studios, Jerusalem 1984 |
Pinchas Cohen Gan at The Artists' Studios, Jerusalem 1984 |
Pinchas Cohen Gan at The Artists' Studios, Jerusalem 1984 |
Pinchas Cohen Gan's studio at The Artists' Studios, Jerusalem 1984 |
Figure by Pinchas Cohen Gan at PS1, NY, USA 1976 |
Painting with shelves by Pinchas Cohen Gan at PS1, NY, USA 1980 |
Figure-Cube (1980) by Pinchas Cohen Gan (does not exist) 1980s |
Cabinet in front of Background by Pinchas Cohen Gan, Columbia University, NYC, USA 1976 |
Figure-System by Pinchas Cohen Gan, Museum of Art, Ein Harod 1983 |
Installation View at the exhibition "Jew", Maimad Gallery, Tel Aviv-Yaffo 1989 |
Figures by Pinchas Cohen Gan, Installation View at Max Protetch Gallery, NYC, USA 1976 |
Pinchas Cohen Gan: From Semantics to Cybernetics ca. 1996 |
From the Books of Pinchas Cohen Gan 1977-1996 ca. 1996 |
Promoter Formulas: Art, Nature, Culture ca. 1996 |
Ḥukey HaYesod [Basic Laws of Israel]: Body of Pain ca. 1996 |
Exhibition of etchings in the barn of Kibbutz Nirim 1972 |